MDT: As one of the series that you helped define, what was it that drew you to write and draw the Fantastic Four?
JB: First Marvel comic I was aware of as such. I’d seen some of the monster titles, at the barber shop, mostly, but it was not until FF5 that I really recognized that this was another publishing entity, though not yet as “Marvel Comics”. FF5 blew me away on a lot of levels. It was — again, something I would learn later — the first collaboration between Jack Kirby and Joe Sinnott, for instance. The artwork is truly superb. Plus, with the combination of art and writing, the book had an “edge” like nothing DC was putting out at the time. And it was a time-travel story. I’m a sucker for time-travel stories.
MDT: Your run consisted of a little over 5 years worth of work. The only creator that’s lasted longer is Claremont on X-Men. What kept you going on FF as long as you did?
JB: Didn’t Paul Ryan do more FFs than I? Either way — the love of the characters was what kept me there. And, in many respects, it was what inspired me to leave. I felt I could no longer give the characters their due.
© Marvel Comics.
MDT: You left the series in the middle of one of the bigger storylines that was unfolding. Can you explain what happened at that time?
JB: A lot of factors, most internal office politics, contributed to my finding myself in a position, creatively, where doing the best work I could was simply not good enough. Not for the FF, anyway. I fear I am one of those artists who is heavily impacted by the environment in which he works. The work suffers if I am not happy, and in those final years of Shooter’s reign, I was most definitely not happy!
MDT: From your portrayal of the FF in other books you’ve written for Marvel, it’s obvious that you still have a place in your heart for the FF. What would prevent you from going back to the Fantastic Four? Do you still have stories to tell for them?
JB: I still have FF stories, but Thomas Wolfe said “you can’t go home again”, and I am inclined to agree. The FF was an important chapter of my life, and I am well pleased with most of the work I did there, but in the years since that work has taken on an almost mythic quality in the hearts and minds of many fans. “Second only to Lee and Kirby” I hear, often. So, if I were to return, I would find myself in the unenviable position of competing with my own legend.
[…]MDT: Favorite Story? Favorite Character? Favortite Villain (besides Doom)? And the whys…
JB: The Thing is probably my favorite member of the FF, so I expect it would come as no surprise that “This Man, This Monster”, FF 51, is far-and-away my favorite story. The first Galactus trilogy is a knockout, too, deus ex machina ending notwithstanding. My favorite villain, other than Doom, is the Super Skrull, though oddly enough I did not use him in my run on FF. Used him in ALPHA FLIGHT and later in NAMOR, though.
MDT: A bevvy of writers have reduced Doom to cruel or simply without conscience. The great ones have given us many facets with which to view him, as I believe you have done in every instance, in fact believing one day you would revive Super-villian Team-Up or get Doom his own mini-series. What makes Doom such an incredible villain to write for most writers?
JB: Honor. Nobility. The dichotomy of his character. He is cruel and largely without conscience, and yet he can show passions, display curious, self contained virtues that set him apart from any other villain. Plus he’s really fun to draw!
De aanleiding voor het extra dikke nummer: schrijver Stephen King wordt op 21 september zeventig jaar! Schokkend Nieuws eert de vader van o.a. Carrie, Christine, Cujo en It met een dikke special. Julius Koetsier reisde speciaal naar Los Angeles om een interview te doen met de castleden van de nieuwe It (vanaf 6 september in de bioscoop). Roel Haanen heeft een interview met de man die vele King-verhalen verfilmde; Mick Garris regisseerde onder meer The Stand en de televisieversie van The Shining. De Nederlandse horrorschrijver Martijn Adelmund (Max Havelaar met Zombies) vertelt in een speciaal voor SN geschreven essay welke tien dingen hij leerde van Stephen King. Uiteraard wordt er ook uitgebreid gekeken naar de vele verfilmingen van de verhalen van Stephen King.
